In recent years hashtag studies have increased their numbers. The role of hashtags becomes increasingly predominant in social media studies. Many researchers wonder how to study them, ending up treating them in an aggregate way and turning to big data and static-mathematical modeling. This type of studies seem to consider hashtags as tools, favoring a single analysis perspective. In fact, The studies and the research carried out in the field of social media deal with what users do with hashtags. This paper wishes to propose a different perspective. The question raised here is not “what users do with hashtags,” but “what they do to hashtags.” This theoretical approach presupposes a change in the perspective based on the reading of hashtags as speech acts, which impacts the construction of social reality and identifies hashtags as cultural products. This interpretative path of cultural nature seems to be necessary in order to be able to look at the hashtag as a concept that changes its meaning through human interaction. The consequence of inserting this perspective is that the hashtag becomes a multidimensional concept, which in order to be analyzed must be decomposed and analyzed in all its possible dimensions. If the aim of the research is to reconstruct the sense and meaning of the hashtag.

Possible selves of a hashtag: Moving from the theory of speech acts to cultural objects to interpret hashtags

Gevisa La Rocca
2020

Abstract

In recent years hashtag studies have increased their numbers. The role of hashtags becomes increasingly predominant in social media studies. Many researchers wonder how to study them, ending up treating them in an aggregate way and turning to big data and static-mathematical modeling. This type of studies seem to consider hashtags as tools, favoring a single analysis perspective. In fact, The studies and the research carried out in the field of social media deal with what users do with hashtags. This paper wishes to propose a different perspective. The question raised here is not “what users do with hashtags,” but “what they do to hashtags.” This theoretical approach presupposes a change in the perspective based on the reading of hashtags as speech acts, which impacts the construction of social reality and identifies hashtags as cultural products. This interpretative path of cultural nature seems to be necessary in order to be able to look at the hashtag as a concept that changes its meaning through human interaction. The consequence of inserting this perspective is that the hashtag becomes a multidimensional concept, which in order to be analyzed must be decomposed and analyzed in all its possible dimensions. If the aim of the research is to reconstruct the sense and meaning of the hashtag.
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Utilizza questo identificativo per citare o creare un link a questo documento: http://hdl.handle.net/11387/138302
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